Tuesday, July 27, 2010

Mad Men Season 4, Episode 1

Well, well, well.  Much has changed since the third season, no?

First off: Joan's navy blue dress with the cream ruffles like gingko leaves in the front?  WANT.  BADLY.

With that out of the way, it seems Don has done well for himself- this Glo-Coat advertisement apparently was a Thing in the time between seasons and has made him a well-known ad man - and was that Trudy in the ad?  Peggy seems to have found her niche - she is far more comfortable in her skin and her position than we've ever seen her, and while she is still deferential to Don, she doesn't let him shame her, or let him get away with anything - I like this.  I also like how she is CERTAINLY the one in control of her relationship with this new dude - I love how down-to-earth and rational and practical she is about her relationships - she is like the foil of Betty, who still is hoping to find the fairy tale with Henry Francis.  SCDP has new offices which seem to be filled to bursting, there was not enough of Pete or Joan, what was WITH Roger continually making fun of a guy who had lost his leg in Korea, and Don is just all over the place, brilliant or angry or loving, all in one episode.  Also, I am really surprised Betty and Henry are living in the old house - didn't Henry say he didn't want to have anything to do with Don, or have Betty owe him anything, in the last season?  Apparently things haven't quite gone as he wanted, either.

There is also the scene that Frank Rich highlighted in his Sunday column - and the young woman, after the three civil rights workers have been killed down in Mississippi, asks, "Is that what it takes?  To change things?"  And what is so glorious about Mad Men, is we know that yes, more deaths will be what it takes to change things - but there is something so compelling watching the fear and confusion and wonder in those who had no idea yet about the dark places our country could go.  And when I say those who had no idea, I mean white people.  I would bet you everything I own that people of color in the early 60's were fully aware of what it would take, that lives would be lost, and that the white folks would never give up their power or privilege, not even a sliver of it, easily.

But if you know me, you know the thing I most want to talk about: Don is hiring a sex worker, and it is the same sex worker, more than once - you get the feeling they have had sex many times, because she knows exactly what he wants.  And what he wants is for her to be on top and slap him in the face while she fucks him.

Ok, so.  My first thought was, ooooh, Mad Men is showing kink!  But it wasn't hot, Lady Gaga's Alejandro type kink.  No, it was more personal, more specific to Don, not something that would turn the rest of us on.  He needed to be slapped for some reason.

And hey, maybe the slapping just gets him off.  I am rather into kink myself, and I don't want to pathologize anyone's sexual turn-ons.  Some people just like whatever they like.  But I happen to know my kink is about working stuff out - about being raped, about always having to be in control and holding everything together, about knowing that letting go of control can turn out not only ok, but wonderful, pleasurable.  That I am safe, and that not every person I trust intimately will then hurt me.

Two things immediately occurred to me watching that scene.  One is, I have had several friends who have done sex work, but one who worked specifically as a dom.  She had friends who got her into the work, and she told me their stories as well as her own.  But specifically, she told me that the clientele were always the very picture of power and influence - they were judges, huge banking industry CEO's, Wall Street tycoons (this was in NYC).  And these men, these movers and shakers of the city, these men behind the curtain who pulled all the strings, deeply wanted one thing: to be abused (think: Q-tip up the urethra).  Part of it is because sex is play, and especially, maybe, when you hire someone, it is more playful, because there is none of the baggage of a relationship, or any expectations of intimacy, or emotional vulnerability.  And these men were looking for some kind of experience of letting go, a play act of just releasing everything . . . I mean, I GET these men.  When I am most tightly wound, highly controlled, over-worked and desperately holding on to myself to keep my bipolar brain together, when I am trying to juggle everything at once, including my very sanity, then is when I most want to play at being a sub.  It is a release, a break, an ability to let it all go.  All those balls I was juggling can just fall to the floor.  I can finally unwind.

But of course the other side of that is that sometimes we sexualize our greatest fears.  Thus, women have rape fantasies.  CEO's of giant banking companies love being ordered on all fours and humiliated by a dominatrix.  And I, who am most scared of losing all control, well . . . that is the surest way to get me off.  It can be both our greatest release and our greatest nightmare, and in sex, well, these don't actually contradict.

I have also used pain in sex as a form of punishment, where I have felt so debased it only makes sense for someone to debase me - and in something as loaded and shameful, in the social narratives, as sex, well, that's an obvious way of making myself feel punished.  Sometimes, we want our chastening so we can feel we have atoned and moved on.  Or so we can nurse our wounds and feel sorry for ourselves.  We want our shame to be physical, embody itself in some manifestation on our bodies, because coping with that pain and abuse is much easier to handle than the deep sorrow and anger that roams beneath our skin.

So, here's my question: what did you think of that scene?  Was Don trying to punish himself, was it about a control fantasy, was it his greatest fears sexualized?  Or did you read that scene another way?

All other comments welcome!  And there was a LOT there in that episode about Betty being pretty actively terrible to the kids, and Henry's mother calling her out for essentially what she is - I would love to get into that in comments, too.

It's yours!

Adding more thoughts (I do my best thinking in the shower in the mornings): Don has always bought into the idea that good, married people only have "good," "married" sex - as in, the missionary position, with the lights off.  I remember Betty once asking him to have sex with her with the lights on, or some such tame request, I can't remember, and he responded with something to the effect of that being prurient and he wouldn't do it.  There was (is, still) that shame about sex, and that "dirty" sex was not something you were supposed to do after marriage, or ever, not with the woman you love.  With sex workers, yes, but they were already "whores;" you couldn't treat the mother of your children that way.  I have heard stories from women even now that after they married their male partners, the men shrunk the scope of what sex they would have based on that ridiculous notion that certain sex acts are improper for married, "good" couples.

So maybe Don has liked being submissive and being hit during sex all along - but he would only "disrespect" his partner by asking for it and having it if she were already "immoral" - a sex worker.

25 comments:

  1. Some recapper (can't remember who, sorry) pointed out that Don's mom was a prostitute, so there's some intense Oedipal stuff going on there too.

    About the "dirtiness": he's been pretty blatant about wanting a pure, good wife and keeping smarter, socially unacceptable mistresses on the side, right? I haven't watched about half of the older episodes yet, but Rachel and the bohemian woman from the first season at least. I mean, his wife and the good girl from the premiere are blond and the mistresses have been mostly (all?) dark-haired, which is some pretty all caps symbolism I think. Maybe the divorce really intensified that split - kinky stuff (!) with the dark haired escort (!!) and a chaste dinner date with the young blond woman.

    Another thought: he could want punishment for being forced to abandon his kids - he might be too closed off to be a great dad, but he does seem to love them and want to be there for them.

    Betty I'm curious to see what'll happen to. The writers are making her incredibly unsympathetic and they do seem to want to make the viewers root for Don, despite his horribleness. But that's the thing: Don's pretty horrible! You'd think that even though she's terrible, all the stuff Don did to her would make her at least pitiable in a more than abstract sense. Although, admittedly, I'm a straight guy and very likely may be not noticing the emotional cues to relate to her.

    One more thing: I can never tell if they're doing the Sopranos thing with Don of critiquing a male power fantasy while still showing its appeal. It's pretty uncomfortable-making, which I guess is the point.

    Anyway, thanks for writing a typically insightful post, and sorry for writing this freaking absurdly long caffeine-fueled comment. Hopefully it makes sense/is not completely stupid.

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  2. Sunny! Ok, 1. THANK YOU for such a long, wonderful comment and engaging so much, and 2. Oh, no, wait, I just want to say thank you for your comment again, it is awesome.

    Betty is so . . . interesting. And hard, you know? Because as a woman, seeing her trapped with so few options, and treated poorly by her husband, I reeeeaaaaally want to root for her. But good lord, she makes it hard for me. I mean, props to Mad Men that no character is easy, but she is just portrayed as such a petulant child. The way she tells Sally, "Wait until your father hears MY SIDE." The way she is just trying to get revenge at Don by staying in the house. Betty is not over Don, it's clear, but also: it's the scenes with the kids that hurt. She is just a terrible parent. And you really feel for the kids. Sometimes I do find myself rooting for Don over her but only because we are a scene or two away from seeing the kids - he is so much better with them than she is. I seriously walk away from the shows worrying about Sally and Bobby and who they will grow up to be, with parents like that (not as real children, obviously, but there are children who still have Betty-like parents, I am sure). How do kids like that turn out?

    Betty's new husband is going to rue the day he married her. Both of them wanted a dream, a fairy tale; I'm wondering what it will look like when it comes crashing down.

    It's true, the dark-haired lovers - I hadn't thought of that. All of his mistresses are intelligent, outspoken, strong women, the very woman he would never want in a wife. Perhaps that IS what Don wants, and the slapping around, too, but he's bought into the societal narratives of what the perfect "wife" is supposed to be.

    Also, I liked watching him fail to get the lady he went on a date with into bed. This new generation of women coming up - they're not going to be as easy to fool. They won't buy the cheesy lines and attempts. It'll only get harder for Don with the young ladies as time goes on, I imagine.

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  3. My read on the kinky sex was that he wouldn't have done that with Betty because it was "bad." He never really let himself go with Betty, and she seemed frustrated in bed. Maybe his experiences with Bobbie made him think about S&M and now he's trying it out as a sub. Who knows? And the dark-haired lovers is a great pick up! Betty was a little china doll to Don, he hardly treated her like a real person. Maybe he can't relate to blonds? Heh.

    Fingers crossed for a lot more Joan next week.

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  4. Dude, I'd be blushing right now if my skin were light enough for that to be possible. Thanks.

    I sympathize a lot more with Betty when I'm not watching the show. I had a similar reaction to you when watching her with her kids. I mean, you never can tell how kids will turn out based on their parents, but I've known people with Betty-like moms or dads, and growing up in that kind of house does not seem fun. It's upsetting to think about.

    As far as societal narratives go, Don's kind of built the whole Donald Draper persona to perfectly reflect them, right? Like, faking his death gave him the freedom to be whatever he wanted, and what he wanted was (not to be too reductive) acceptance. He wanted all the appearances of perfection - beautiful, upper-class wife, 2 kids, high-powered office job, house in the suburbs. Everything he was told he'd never have growing up. He chose a life filled with things that he doesn't love because he needs the trappings and privileges of success so badly. We only get to see what he really wants when he's away from his peers, which is mainly when he's with his mistresses I think.

    Don and young women, I don't know. He's good at switching his approach - the 2 contrasting interviews are a good example of this. And he's rich and handsome, etc (although being divorced with kids is probably a stigma at the time, and you're right, women's lib stuff has got to have a pretty strong impact on his ability to sleep around). But what the hell does he even want? A replacement Betty, a meaningful relationship, a fling? Hard to tell, as I said. I'm curious to see what'll happen.

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  5. Nghhhh this post makes me want to tear through the three seasons in a weekend so I can get involved!

    Oh btw did you see the slightly dodgy-assed comment he had in an interview?:

    http://www.feministe.us/blog/archives/2010/07/27/ugh-jon-hamm/

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  6. DUDE. cheezopath - THAT COMMENT. WTF???? As I commented over there, this coming from the man who plays Don Draper, whose character rapes Bobbie Barrett in season 2 to "punish" her and reassert his control over her, thinks it's too bad we've lost the cordialness men had towards women back then? Or when he called Betty a "whore" for falling for Henry after he'd cheated on her numerous times? Or when he told Peggy to stop asking for things because he'd already promoted her from being a secretary and she should be grateful? OH MY GOD JON HAMM. Grrrrrrr.

    Anyway. Sunny, I think you're right about Don - he knows what he is supposed to be, but has never stopped to actually ask what he wants. I also think, because a lot of his life was a lie, that he wanted to cover that up as much as possible by being "normal," by embodying what one is supposed to embody, by fitting the narrative as perfectly as possible. Then no one would guess about his past. I mean, he sold that normal, typical American male narrative so well he was able to keep his past not only from Betty for all those years, she didn't even seem to ask very much, or question him. It was like when the elevator operator (who is black, and thus this is one of the most brilliant lines in the series) said, "Some people hide in plain sight." You pick up all the trappings, no one asks about the core.

    And yes, jamy, more Joan. I am praying right along with you. But I don't know what he learned from his relationship with Bobbie. I'm not sure he learns anything from his lovers - anyone else have any thoughts on that? The man seems impervious to wisdom, and I think it's because it's coming from women, whom he fundamentally does not respect (oh, I'm sorry, I mean "cordialness").

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  7. I'll start by admitting my ignorance about BDSM, but I interpreted Draper's paying the hooker to slap him as a manifestation of his self-loathing.
    I know (at least I think I know) masochism isn't all about self-loathing, but I think in this case it's artistic shorthand. We got a taste of it in previous seasons; his shame about being born to a prostitute and growing up poor, his evading his brother and blaming himself for his suicide, his envisioning his dad telling him he "grow[s] bullshit" for a living, his tying Bobby Barrett to a bed for informing him about his sexual reputation; and all the self-destructive behavior he's engaged in, like picking up hitch hikers and taking reds while driving.

    Don Draper hates himself.

    And I think what he was working through this episode, as illustrated by the bookending reporter interviews, was how to get around his loathsome self-image to present a marketable public persona. The first interview was all uncomfortable evasion. The second interview he'd come up with a falsely self-aggrandizing story that was really more about SCDP than about himself.
    The theme of each episode is usually hinted at in the episode title. This one was "Public Relations." The conflict between the internal self and the external self is a recurring favorite for the creators of this show.

    And as far as this "cordiality" business, if the show is an accurate depiction of the period, sure the men are superficially polite to each other's wives and other ladies of respectable society, but...
    -Don and Grandpa Gene have collectively said about six words to Carla in three seasons.
    -There was that brief run with Kinsey's girlfriend, who Kinsey basically used to make himself seem hipper-than-thou, while being characteristically patronizing towards her and trying to weasel out of going to Montgomery with her for the bus boycotts.
    -There was Rachel Menken, who the guys started off being absolute jackasses to until they figured out she had money that spent as well as a gentile's.
    -And there was Peter raping that ESL immigrant woman.

    So that's cordiality for you, but otherwise I generally agree with Psyche and Dawn over at Feministe about the context of Hamm's quote. It's like if you asked me to come up with some positive aspect to chivalry. I might say, "well at least it's a superficial veneer of civility, but it's still sexist bullshit," which I think was basically Hamm's point.

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  8. On Betty...

    She's harder this season. Her hair was like a helmet, which reflected a shift in her character. She's more guarded and stern. Even her clothes were stiffer. She's exchanged flowy dresses for boxy suits.
    I predict Betty will become physically abusive of Sally. The kid really gets under her skin easily (Bobby manages to go ignored), and that "wait until he hears my side" line (nobody will believe you, I know who you really are) was textbook abuser stuff.
    I keep hoping Betty will find some happiness and lighten up. Channel her anger into politics and start riding the second wave. But right now with Henry her situation's basically the same as it ever was. She thought she was unhappy because of Don, and now she's seeing that she's still unhappy without Don, with a husband who doesn't cheat on her and lie to her, and she can't figure out what the problem is.
    If it doesn't work out with Henry, I think things with Betty will get much worse before they ever get better.

    The supernumerary Roger hooked Don up with seemed like a replication of an earlier version of Betty. Young, blond, upper-class, self-conscious, pretty girl with an artsy face job, staying at the Barbazon (I think Betty was staying there when she met Don). The significance being Don's inability to go back to the way things were when his relationship with Betty was decent (excepting his false identity) and he was relatively happy.

    Anyway, I love Peggy and the confidence she's gained and her new flunky with the anachronistic hair style is really cute.

    "John!"
    "Marsha!"

    http://www.youtube.com/watch?v=pcDiB4y9oOE

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  9. snobographer, yes, I loved the whole Peggy and Joey (new character!) thing. I also loved how she managed to chide Don, without putting him down - her accusatory, "We're all here because of you." And the way she tells him he has ruined their image . . . their relationship is going to be interesting. It reminds me of when Caliban says in Twelfth Night, "You taught me language; and my profit on't / Is, I know how to curse." I think Don is going to have a hard time accepting Peggy as an equal.

    And I hope Betty doesn't start hitting Sally, although "abuse" then wasn't really discussed. I think Betty will never be able to access the second wave - more than any other character, she's stuck in an older time, expecting the gender roles to be fulfilled, the fairy tale of the family and marriage to come true, and for her to be perfectly taken care of. I think Betty will grow old and become a horrid Phyllis Schlafly, scolding those improper young women who don't uphold their modesty, or try to act like men, and those damn gays. I think Betty, out of all of the characters, ahead only of Don, will fail to move forward.

    I totally agree Don hates himself, but I don't know if he totally hates his past. He does see his brother, and clearly does care for him. He visits the woman, and stays with her, whose husband's name he takes, and is more comfortable with her, she who knows his whole story, than with anyone. I think there is hatred, but I think there is an awful lot of fear - fear of people finding out, but also fear of what is under the facade. I mean, that's his reaction to the interviewer - he asks him who Don Draper is, and Don Draper doesn't know. He's been so busy constructing a person that he's not sure of what's underneath anymore. And I think he fears himself.

    I've actually gone back and re-read Hamm's quote a couple times. I can see how it can be taken as less offensive than I first read it. It's not GOOD, but it doesn't make me stabby, either.

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  10. Ha! I just read Amanda Marcotte's take on the first season at Pandagon, and she discusses stuff we didn't - like Don's new understanding that he needs to brand himself - so take a gander and read over there if you can.

    But! Amanda in that post links to her AlterNet article that she wrote before season 4 that I hadn't read until just now - and she sees Betty as becoming Phyllis Schlafly, too. http://www.alternet.org/media/147618/here_comes_season_4_of_mad_men_--_what_will_don_draper_do_without_his_wedding_ring?page=1

    So, that's two votes for Betty ranting about the gays in her old age.

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  11. Gayle, why do you taunt me with Mad Men, when I am trying so hard to write my chapter!?! (sobs uncontrollably)

    Actually, I'm using this as a bit of a carrot - if I finish my chapter on time, then I can catch up on Mad Men while I'm on holiday next week.

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  12. I'm sorry! Actually, how about this: Miss Minx, why do you tempt me with your Mad Men comments????

    Good luck finishing, have a wonderful holiday, and I look forward to everything you have to say!

    <3

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  13. What's weird about the Hamm quote is that a big theme on Mad Men is that the surface cordiality between genders masked a lot of ugliness. Like, the biggest theme almost. Maybe he's not been watching? Dude's got to come up with something that was better about 60's men, I guess, but I wish he just said suits or cocktails or whatever.

    I might be projecting here, but I think that Don is conflicted about his past, just like anyone else (though I agree that he definitely is filled with self-loathing for his current self, but then, he has good reason for that). He hated his poverty and the general shittiness of his past life enough to escape it, but it's also almost a point of pride for him. It's a way that he can view himself as different, tougher than the rich people around him who never had to struggle.

    That's probably why he has that love/hate relationship with Roger - Roger is in a lot of ways an ideal WASP for Don to model himself after (the charm, the ease with privilege) but Don looks down on him too for being soft, stupid, and unserious. It's also why he wants to mentor Peggy. He may not respect women at all, but he sees more of himself in her than in anyone else in the office.

    Snobographer, I definitely agree that the supernumerary is a younger Betty-type. She even looks really similar. I'm not sure the date went that badly though. I thought she seemed interested, just not willing to sleep with him unless she was sure that he was serious/trustworthy.

    I'm on shaky ground talking about child abuse because I am lucky enough to not know the first thing about it, but I don't think Betty would hit her kids if only because it would be too much effort to expend on her part. She hates them (Sally at least), will emotionally abuse them, and might expect her husband to hit them, but can't be bothered to do it herself. I also think it might be a class thing - it would be vulgar and unladylike for her to beat them. But I'm not really sure about this at all, and who knows if her unhappiness will push her that far?

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  14. Um, "lucky enough to not know the first thing about [child abuse] first hand" I should say. Sorry.

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  15. Sunny - I agree about Don's date with the supernumerary, that it didn't go badly according to her or to us or to any reasonable person. But I think Don saw it as a failure that she didn't invite him up. It's not typical for him to be turned down, and he has a habit of seeking affirmation through sex. Having some strange flight attendant do him affirms his ability to hide his true self and disarm people with his superficial charm.
    The supernumerary turning him down was an indication that his old tricks weren't working. He doesn't want her to get to know him. He just wants her to accept the package (wink), like Betty did.

    Roger's picked on Don about his class background before. He doesn't know details, but he razzed Don about his accent when he went to his house for dinner the night he hit on Betty. Don was visibly bothered by that and changed the subject. Roger also made a face when Don mentioned to the dog food lady that he's eaten horse meat.

    Upperclass people abuse their kids. Betty might not wind up and sock Sally in the face, but I could see her yanking her arm out of socket or locking her in a closet all night. Especially if she loses Henry and/or Carla and becomes more stressed out and isolated.
    She's already unsympathetic enough though. If she goes that way, viewers are going to be calling for her head.

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  16. I've been hoping this whole time Betty would get her hands on a copy of The Feminine Mystique and snap to, but that may be too easy.
    I hope they don't write her out of the show, though. I think she's fascinating.

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  17. Also, snobographer and Sunny, I wonder how much NOT being married is going to be a liability for Don. I mean, when he was married, he was more respectable in a way, because he was doing following the appropriate, "good" guy narrative, and women thought he was safe, but being divorced now . . . I think women won't take to that well. It was still considered a mark of failure, a taboo, a reason to judge people, back then, and as the woman on the date said, she had to break her own rules to see him. I wonder how much that will hinder him.

    And I wonder how much of the fun of it will be gone for him and maybe the lady, knowing that he is just . . . well, available.

    Yeah, Betty is definitely unsympathetic now. And of course upperclass people abuse their kids, in as many ways as people of all other classes do it, but "corporal punishment" was not legally "abuse" then. So much of the series is about how beliefs have changed, and I can see the show wanting to highlight how our philosophies on how to raise and treat children are very different now.

    And I think Betty just mostly resents her kids, and her life in the suburbs. It's clear she is frustrated when she talks about being younger living in NYC, or when she wants to model again in the 1st season, or how happy and comfortable she is in Italy. This "American Dream" life turned out to be her nightmare.

    I'd forgotten about Roger poking fun of Don, good call.

    Don has surprised me before, but considering I think I see Peggy really taking to the changes that are about to sweep the '60's, and Betty really rejecting them, I am not totally sure if Don will evolve with the times or stay stuck in the past.

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  18. I don't want Betty written out of the show, either, by the way! She is fascinating - the most uncomfortable character, and therefore the most compelling. She is also the modern American equivalent of an aristocrat. She's an awful snob, besides being privileged and entitled. I don't know if she'd take easily to Betty Friedan's book . . .

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  19. Peggy I think might turn out to be an individualist bootstrap feminist. She has her own goals, and is determined to meet them and will stand up for herself, but women who've pulled that off often aren't very sympathetic to women who can't do the same for whatever reason.
    I don't know that she'd ever get into elevating women as a class. I like peggy, but I don't think she's any more likely to go Gloria Steinem on us than Betty is, really.

    Don has to evolve, or he'll end up a dead shark. It's his job to keep up with the times. He may not like it, but he'll at least learn to fake it.
    His divorce could affect his career too, by way of his public image. I hadn't thought of that. That's probably why Roger's out finding him Betty replicants to go on dates with.

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  20. snobographer, I really do think it could go either way with Peggy. I totally see your point. The last three seasons, I didn't think Peggy could connect her struggles to a broader movement, but seeing her here in season 4, now I've begun to change my mind. It's because she seems to have more confidence, know she's valuable - and so then maybe she's less likely to put other women down.

    I don't know. I also love Peggy, so I might just be hoping she goes the way I want her to :) But I think, if anything, she is incredibly humane and kind - like when she tells Pete and Joey their teasing is not funny - as opposed to Betty, who is cruel. Peggy seems sympathetic to those who are hurt, or struggling. She might not join the feminists, but I can see her supporting them from afar.

    Yeah, I do think that may be why Roger is trying to set Don up.

    I also wonder how Roger's relationship is going . . .

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  21. I forgot she did tell Don about the Equal Pay Act, so apparently she keeps up on women's issues to some extent. And she stood up for Freddy Rumsfeld. And the black janitors who were fired for stealing after that hideous election party.
    She has an eye for social justice, so you're probably right.

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  22. Haha, we'll see! I hope so, because I love her character!

    ALSO. HOW IS IT ONLY WEDNESDAY??? I so want it to be Sunday night already!

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  23. Yeah, fair enough about upper-class people abusing their kids. I kind of realized it was a stupid thing to write as soon as I wrote it, my bad.

    As far as Don changing with the times - the cynical part of me says that rich people don't need to. If you're rich enough, you might not even have to notice change. People like Roger can afford to grumble about how minorities and women are so uppity not like in the good old days etc etc without doing much different in their lives because really, it's still their world. Don has spent a big chunk of his life building an image to assimilate perfectly into that society, and while I have no doubt that he'd be capable of changing himself to fit the new world, doing that would mean giving up power. He's better off hiding in the country club.

    Although good point about having to keep up with the times for his job - but does keeping up have to be anything more than knowing to avoid saying things that will piss off the target audience (which snobographer got at)?

    Betty's weird because she does have a lot to gain by moving along with the '60s and doing the Feminine Mystique thing. But change is scary, I guess? If you've been raised and trained to be a certain type of person, it takes a lot of courage to reject that even if it could make you happier.

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  24. I am sorry to be so late to the commenting party.

    What I found really interesting about the episode was I felt like it was a reversal of a lot of things that happened in the first series, possibly even the very first episode. In that I feel like the first series was quite often: Don has job, is blocked. Don mulls over it, goes into meeting and tells the clients something that initially they do not want, but they come round to his Genius. In this he did that, and it was completely the wrong thing to do and not in the interests of the client and basically completely ignoring the requests of the client, and then being a massively angry bully. And in the first series you have his very accepted and facile adultery which he's comfortable with and now you have the massively awkward date and the scene with the sex worker (which I think is about his anxieties about the kind of person he's becoming- not to pathologise kink in general).

    I also loved the plot with Pete and Peggy fucking up, and that Peggy was still awesome because it was just the kind of stupid mistake people sometimes make.

    I did want more Pete and Joan.

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  25. Oh, Melusin, I really like that idea of how much of a reversal this was! Especially with Don and clients. Well called.

    Mulling on this some more now . . .

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